The author and the Self

Oh alright.

It is difficult to live with myself, I’ll admit.

But it’s not like you, the rest of you, make it any easier. I don’t have difficulty in articulating my feelings. If I decide I should talk about something, I generally am able to make the other person understand what I’m getting at. The only problem here is – what should I articulate?

What is appropriate, and what is not? How to walk that thin line between IceCold Bitch and Drama Queen, and yet make it seem like a breeze? (I’ve been called both things, so I know.)

You say I swing between the two extremes. You think I like it that way? You think I enjoy having this war rage inside my head 24/7, dragging me over to one side, and then overcompensating by catapulting me to the other?

No, I’ve checked. I’m not Manic Depressive or Bipolar. Believe me, I too would have loved to have a label like that, a label which would absolve me from the guilt of my actions. But the sad thing is that I’m as normal as the rest of you. And with a little less self-esteem than most of you.

The curious thing about my lack of self-esteem is, it isn’t the result of trying to match up with anybody, and failing. It’s merely a manifestation of my failure to make peace with myself; a disconnect between the person I want to be, and the person I am. Sounds trite? Well, glad to know I’m not alone.

Is expressing Sorrow taboo? Nobody likes whiners, myself included. I tend to be sympathetic to them, as I’ve been told I’m a major whiner myself. Go ahead, tell me I’m incapable of seeing the flowers and sunshine before my eyes. Dude, how do you even know what’s before my eyes? And more importantly, who let you decide that I should perceive them as symbols of joy?

Circular arguments, you say? Suit yourself. This is my rant. And rant I do, more often than people think I should. I’ve been raised on the doctrine that my feelings are not to be expressed, that whatever I feel is not for outsiders to hear. My family would be horrified if they ever learnt of this blog.

Yet they want me to write. Fiction, non-fiction, poetry, essay, bullshit, crap, anything. And show them the results, however premature. They’re very encouraging, no blaming them, but right from Line 1, I get this feeling that it’s not the story they read or the narration they appreciate; it’s Me who they are searching for. I don’t blame them, that’s quite natural- you read something written by a person you know, and it’s somehow not Objective anymore. You start wondering if the person has had the experiences she’s describing in a story. If I talk about rape in a story from the offender’s point of view, I’m a potential rapist, maybe? But should I take the victim’s PoV, then I’ve been raped, no doubt, and I’m writing a story about it because I’m too cowardly to market it as a real-life experience.

Making a counter-point, what is Creative Writing but a creative re-packaging of your innermost thoughts? I’m told experienced authors are capable of distancing themselves from their philosophies and write the exact opposite of what they feel about an issue. I’m also sure most of us lesser mortals would fail on that count. The problem with trying to write something completely fictitious is two fold.

1. Such a thing is theoritically impossible – your imagination comes from you, and therefore cannot be completely removed from your past experiences.

2. It would read very badly. Almost like a farce of a story.

So, what do you think?

Where does the Author/Narrator stop and the Person begin?

Am I denoted in every I of what I write? Is a first person narrative always tinged with Self, however tenuous the link might be?

Preferring Ignorance

As life moves on, our secrets find new hide-outs, the old ones deemed trustworthy no longer. New keepers, and ones whom we can trust absolutely, we hope; like we did when we first found the old ones.

It repeats itself, and the only thing we ever learn is that we don’t.

What Is The Grass

A child said What is the grass? fetching it to me with full hands,

How could I answer the child? I do not know what it is any more than he.

Grass is green.

Grass is good to sit on. Your back prickles, but in a good way.

Grass is plenty. Is found in meadows. Elsewhere too.

Grass is something which, if you try hard enough, can be likened to just about anything.

Grass, unlike my tablet, won’t relieve you of your pain.

(‘Belongs to family Poaceae’. “Same as wheat!” )

Grass is a quiet distraction.

In that it is nothing, it fits and flows and moulds into shapes that surround.

(‘It is mostly green, thin, and shaped like a sword.’)

Glass can be the twin star in a narcissistic binary system.

It can revolve around you, you can choose to ignore it.

Grass is about me, I’m not about Grass.

(“I once got a grass cut. Like a paper cut. It started bleeding!”)

Grass is malleable.

Grass is good to ruminate. On.

Grass is enough excuse to shut out the external world and keep to yourself and not talk to anyone and while pretending to think about it, buy some personal space.

But be warned, it is inane enough to get on your nerves.

(‘Bamboo is a type of grass that grows very fast.’)

Grass occupies space, yet leaves no vacuum when it departs.

Sticking to a black leather shoe, plucked by a laughing child, tilled.

Killed.

(“You have to hank really hard to pull out a blade of grass, you know?”)

 

  1. The quote at the beginning is from Song Of Myself  by Walt Whitman.
  2.  Didn’t bother to read his answer to the question raised, because, I know, Grass means discovery.

Poii tree?

The following is called laughing-at-self. <nudge nudge> <wink wink>

Here’s something that struck me while on a profound stroll in my profound campus during a profound bout of bunking.

Normal reportage: There’s a blue butterfly on the purple flower.

Poetic reportage:

The Cerulean Wings

perched

Drunk -

folded themselves upon.

Into Purpleness.

(or something like that)

Were a ‘poet’ to try this kind of talk amongst my/his peers, he’d be consigned to his rightful place in no time- ‘Dei, over scene odambukku nalladhilla’ <Transl: ‘Too much scene is not good for health’>

So, why are poets always on the look-out for deeper meanings in everything? And when there is none, why do they feel the need to fabricate? Some might say being a poet gives you the license to dissect (and make a butchery of) commonplace stuff. Some would say it’s the poet’s way of saying, ‘I want to be taken seriously’. And some others, would argue that this attribute defined poets better than dowdy glasses and faraway gazing.

My point here is, poets tend to over-dramatise. A lot. Or may be that *is* poetry. What would I know, What would I know.

You Can Never Know

The locals called that place Dragon. It was said that, very long ago, it had the ubiquitous ‘Café’ attached to its name, like every place that served anything edible in those tree-lined, right-angled streets, no matter what its cuisine was. The town wasn’t in a colonial hangover as much as it was still stone drunk on La belle France.

So they surmised. The Dragon too had been a café once.

It had originally been a  self-respecting, wanton-serving Chinese Place. But eventually, as the owner grew older and wearier and too lackadaisical to hire a cook and keep him, it had adapted to the wonders of the two-minute Maggi. It made no secret of it, though. The items on the menu were listed, quite plainly, as the different flavours of the instant noodles.

The name board swayed dangerously when the sea breeze was rough and was chipped in several places. That gave the eponymous green dragon which stood on the name board a very authentic, scaly, dragonish look. It looked quite pleased with itself, almost as if enjoying an inside joke, as it stood there spewing bright red fire with yellow sparks.

On the inside, it had plain, dark brown wooden walls, old-worldly mosaic flooring, with thick, horizontal wooden beams crisscrossing the ceiling, always looking like they were about to choose the next moment to come crashing down. Those had been the combined legacy of the town’s French masters and its native craftsmen. The travel guides liked to describe the place, ‘Terrible food in a terrific ambience’. It offered its patrons some live music every evening, and the local talent, some livelihood. No qualifier was added for the music except ‘live’. It was about the only unpredictable thing in Dragon.

That it was unpretentious made it all the more charming. Like the cool boy in town who seemed to make the weirdest things severely Cool by just being their doer.

It had no clocks.

It was to this cafe that she came to play.

She had been in love with a boy named LaxmaneRadjoulou, who was leaving forFrancevery soon. She didn’t know when exactly. Her parents had confiscated her mobile after ‘stumbling’ into words like ‘Deaaar’ and ‘Dorlingg’ in the texts he sent her. She then had de-activated her facebook account in what she liked to call a ‘depressive fit’, but in truth, was more because of the severed internet cable that was the handiwork of her father. She was, to describe in rather dramatic terms, under house arrest.  She obsessively practised ‘Distance makes the heart grow fonder’ on her notebooks in curvy script, and doodled multi-coloured hearts. She loved, she was  silly, and she loved being silly.

After her initial period of confinement, she rushed to public telephone booths and made frantic calls to his number. And every time, the response unwaveringly requested her to please check the number she had dialed. She fidgeted, twitched, grew madder and puzzled and confused and obsessed over how she could reach him before he actually went Out Of Coverage Area. She grew so desperate that one day, she mustered courage she didn’t know she had and cycled to the high-walled, bougainvillea-lined compound he lived in. She stood there for a while, feeling like an idiot, while the drunks leered at her.  Seething, she willed Laxmane to come out of his house and save his girl’s honour in style. Nothing happened, and no one came out. It was then that it first occurred to her that he hadn’t been in touch..maybe because he didn’t want to?

She waited indefinitely, of course. She hoped he would, at the very least, turn up in her campus one day, red rose in tow, telling her how much he’d missed her these months, and that he was very sorry but he had to go toFrancebecause he was a French citizen. She told herself that it didn’t matter, they did not have a future anyway.

She wanted only Closure.

Life had other plans.

He never turned up, nor did he ever contact her again.

Thus ended what she thought was the love of her life – because of a communication gap or simply because he’d lost interest in her, she would never be able to say.

Since he’d deserted her without so much as a So Long Thanks For All The Fish, and also because she was already insane, she sought to break up with him within her head. Day after day she stuck darts on his mental image, and after a while, the bull did go blind. But as she drove closer to her target with a steady eye, her world slowly converged upon her and she forgot to converse. The waters around her had dried up and no boat from no island could reach her.

She couldn’t understand the inquisitiveness that surrounded her, masquerading as sympathetic glances. It reminded her of the times her mother used to indicate she’d spilt some chutney on her sleeve just by staring  hard at the spot. And as she couldn’t spot any stain on her exterior despite their pointed gazing, she shrugged and went her anguished way.

She soon moved to the Hostel where nobody would notice her moping.

When she eventually did come out of it, a deadly calm settled upon her. The inner turmoil, the waves crashing over and over over her mental cliffs ceased one day, and were replaced by a Silence. She didn’t know what to make of it. She couldn’t cry because she’d just gotten out of something terrible, yet she felt this was worse than happiness. Her mind seemed incomplete without those nagging voices telling her how deplorable she was.  She was desperate to fill that void. With something. Anything.

But she was quite tired of chasing after human subjects. Looking back, she really couldn’t fathom what she saw in the petulant loafer that was LaxmaneRadjoulou. She had found him mysterious when she first got to know him. Any by extension, she’d thought- smart, moody, nonconformist, and constantly sprouting deep junkyard philosophy. What he’d turned out to be, though, was Stupid. He had been silent and irritable most of the time because he was plain dull and had nothing much to say to her. It was her love, her emotions that mattered, after Everything Was Over.

She took to wandering in the streets aimlessly. The Dragon was someplace she knew by sight, but had never visited before. Local girls from well-respected, conservative families had no business entering outlandish cafés, and god forbid, alone. All that was for the Tourists. But the break up had made her reckless to the point of stupidity, and she steadily became adept at cooking up perfectly plausible excuses. Walking into the Dragon seemed like a good idea one evening. She did.

It was a lull hour, between lunch and dinner. She sat picking at her Masala Maggi noodles, listening to a preppy young guy sing about lost love, swaggering ceremoniously on the raised platform with his guitar. Everything about him screamed ‘Artificial’ with an exclamation mark to boot. She tried hard, very hard, to not let the clichéd lyrics and the insipid music get to her nerves. Half an hour later, she’d had enough. She normally would’ve walked away, but something about the fakeness in those songs needled her, and she walked over to the Cashier and told him plainly.

“I know.”  He nodded nonchalantly.

And she could think of nothing but a very lame, “Yeah.”

He scrutinized her for a moment. “Do you play?”

“What? No, no..I mean, I know to, but I-”

“Why don’t you come and try out tomorrow, same time? The slot’s free. Anything goes”, he added.

She opened her mouth to insist that she couldn’t, but instead ended up shrugging her shoulders with an “Umm, okay?”

She reluctantly dusted out her guitar that night, her mind wandering to the music lessons in her childhood. Her teacher hadn’t liked her particularly, despite her obvious love for the instrument.

“Too free-wheeling”, he used to tell her parents.

They’d sympathized with him, cancelled the lessons (a waste of money!), and had packaged her six-string to a neglected corner of the house. She was too unpredictable, everywhere and in everything. They had her checked for dyslexia and a number of other ‘mental’ disorders. The results, very depressingly, had come back negative. Not knowing what to do, her mother had quit her job and took up Worrying About Her as a hobby instead.

You could defuse bombs with timed fuses, but what do you do with bombs which might not have proper fuses at all? You don’t even know if it’s a threat.

The next day around the same time, her almost-broken voice rose and fell in the café, and her fingers seemed to pick the strings in an unfamiliar way. One of the patrons was sobbing. Another came up to her later and told her in a quiet voice, “Your Voice. It’s killing me. Come here again tomorrow. Please.”  The request was seconded by the Cashier, who turned out to be the owner of the Dragon. A few weeks later, she was a regular performer in the evenings and when a small group began to gather just to hear her Acoustic Tapping, even the perpetually bored owner had enough sense to offer her what he assumed was Good Money. She accepted, again with a shrug. Deep down, she was reclaiming herself with every new song she wrote. The void was disappearing. She would’ve played even for nothing.

She had the habit of walking over to the tables after she was one with her gig for the day, engaging in small talk with the regular clientele, which consisted mostly of foreigners. They brought their own bottles of liquor, and occasionally, delicacies purchased in some other café that actually cared about gastronomy. Some of them had fled their homelands, and some others were just tourists who’d just stayed on, drunk on the sweet indolence that wafted through the streets.

The Mig-21s came to her through a bearded gentleman who claimed to be holidaying, and who wouldn’t tell her anything about himself except that he had once been a fighter pilot. Since there was an airbase a few miles outside the town, airforce clientele were not a novelty at the café. This man had a queer accent she couldn’t place. He stretched his vowels long but rolled his R’s, and spoke excellent English. Once, she tried to press him for details, and he cut her off saying, “No, no, why don’t you listen to what’s worth listening! Let me tell you more about the Mig-21s, my absolute favourite!”, and went back to the sole topic they’d been discussing for the past 3 weeks.

He would categorically trash any argument she raised about their high crash rates. “Nonsense! Bad spares and bad pilots can turn the best of aircraft into Flying Coffins, or whatever they call it”, he’d say, and mutter to himself, “Not to mention those blasted birds”.

She loved Mig-21s the way it is possible to love trench coats without owning a single one of those. Migs forced people into trenches, and trench coats, though having nothing to do with trenches, have the word ‘trench’ in their name. She loved spotting crazy, meaningless patterns like these.

One sad, windy Saturday evening, five months after she’d come to know him, she watched the bearded gentleman getting thrown out of the café. The owner had to physically push him out; it turned out he had an outstanding debt of three months’ worth of evening Maggi. She felt guilty – could she have helped him? But then, his expensive shirts and delicate perfumes hadn’t said anything about his being impoverished. The ‘fighter pilot’ part too had been a lie, she thought, but still couldn’t reconcile her memory to what she knew now. He seemed so knowledgeable about aircraft, and so genuine. She felt cheated, nevertheless, and in that moment realized he had been her first friend, post-catastrophe..again, only to desert her without a word.

She forced herself to concentrate on playing.

That same evening, an hour later, she looked up from her vantage playing area to find a familiar, brooding young man enter the café. It took her only a moment to register LaxmaneRadjoulou and a girl who seemed to be all over him. She left the stage abruptly, and hid near the kitchens from where she could get a look without being recognized. But they hadn’t noticed her; they were too busy playing footsie. Too many questions cropped up in her mind, and not one of them had a happy answer. Reeling from shock and gagging with disgust, she told the owner she was feeling sick and left before she could process what she had just seen. She didn’t want a scene at her workplace.

“You’re a coward. You’re a fucking, fucking spineless coward”, she repeated to herself, in the half-light of her room.

But a new voice that had arisen over the last few months argued back. That people were entitled to be fucking cowards at times. That it was, as the popular phrase went, Okay. That she deserved some quiet, some break. She decided not to go the next day.

She couldn’t reach the owner over phone, but that wasn’t very unusual. She’d go by the café sometime in the morning and tell him in person. She deliberately shut her mind to everything else and listened to insanely loud music for the rest of the day.

Sunday morning brought with it some Calm. Maybe it was the coffee.

She glanced at the headlines of the dailies hanging on the bunker shops on the way.

‘Fighter plane crashes in town café: 5 killed’

Below it ran an extensive story about how Murad Hakob, a disgraced Armenian pilot had broken into the airbase the previous afternoon, stolen a Mig-21 aircraft and flown it around before losing control. The plane had crashed in the heart of the town, near the famous local café called Dragon. Three people had been dining there at that time, besides the owner, and none of them had survived. The pilot too had died in the crash, and was suspected to have been drunk at that time. The police were investigating the causes behind the accident.

Almost instantly, she knew it was the bearded gentleman who’d done it. Just the way she knew she’d find LaxmaneRadjoulou’s name in the list of Deceased. She learnt the name of his companion, spelt in the same, twisted French way as his, from the newspaper.

Her composure threatened to collapse any moment. She bought the newspaper and cycled on like nothing happened, trying hard to de-numb her senses.

By habit, she ended up at the place where the Dragon once stood. It felt surreal, and the implications, inconceivable. She simply didn’t know what to think, and if she should think at all. She stood near the smoking wreckage for a long time, staring into space, until a policeman came around chased her away.

In the early hours of the next morning, when she finally gave up trying to understand what had happened and why, not to mention the nagging How, the last impertinent thought turned itself over in her mind and made her smile: What had it been, Bad Spares or the Blasted Birds?

p.s: My entry for an inter-college short story contest. A story had to be written with these elements – Guitar, Mig-21, and Dragon. <hat-tip> to J for the invite and endless rant-listening, and to S for the biased, loving beta. 

Theoritically, Impossible

I draw yellow hearts on cellphone screens and surround them

 with pericardium.

Hankering after Serotonin, a Move I shan’t ever make.

I mourn for the mosquito on my Rasam plate

And wait for you at the Cafe at Arles.

 

Last night, I ran, in the dark

and in my white coat.

Yelled, “I can love too!”

The stars seemed to understand. You don’t, I know.

I don’t, either. 

In Which I Digress A Lot But Basically Talk About Just How Much I Miss Quizzing These Days

“I miss quizzing more than I’ve ever missed anything”, I said. It was just an acquaintance, and I had no idea why I was getting so personal. Maybe it was the coldness in the room.
“Now, now, don’t start crying..”, came the reply. It wasn’t entirely unwarranted. I was just about to do that.
My nose stung and tears welled up, fast and involuntary.

It was a seldom discussed topic, so I really hadn’t anticipated my reaction to it. Talking about things like my love life is surprisingly easy these days – the same thing repeated over and over becomes leaden after a while. I loved X, we had a relationship, he dumped me, etcetra, etcetra. I have even developed systematic way of narrating the story these days, as though it were a rather interesting story that I read somewhere and liked. It’s a good conversation starter with those who aren’t troubled by the fact that a person like me should have been in a serious relationship at so young an age (or whatever.) Most people have a sad, sad love story lurking within them, after all.
It also comes with the added advantage of (mentally) Blaming the Ex. Feeling bluesy today? Blame that bastard. How dare he decide things for you? Never mind that it’s been over a year or that you’ve moved on or that you’re both on good terms again. All your problems lead to the breakup at the end, like the Relationships’ version of the Collatz conjecture. It’s simple. Exes exist to be index-fingered and middle-fingered.

Not that I was incredibly good at it. At quizzing, I mean. I was okay, reasonable, passable. I won a few contests and managed to qualify for many; not always because of My effort. And quizzing being the predominantly male-dominated sport it is (yes, it *is* a sport.), you cannot blame my ego for basking in the fact that, 80% of the time, we’d be the only girls team onstage. (Strangely, we never did get to participate in events which had Special prizes for that)
It wasn’t always about the ego massages, though.
There’s a joy I find in quizzing, pure, unadultered. A joy that I’ve never been able to find elsewhere.

The joy of knowing something unusual, the joy of being lauded for it. The joy of an intelligent, but wrong guess. The joy of tracing your thought process behind a right guess.

Something has to be said about my teammates. My best friends till date are the people I met through quizzing. It beats me every time, how we, despite being in different classes at school and our obvious personality differences, ended up being so close. Sure, I have a lot of friends to have a nice chat with, but when it comes to something deeply intellectual or deeply troubling (about the only times I wake up from my zombie-like state), it’s these friends I run to. I don’t know if it’s because of quizzing together that our friendships deepened, or if the sport attracts genuine, wonderful people that I take a liking to. Either way, it’s bizarre. And comforting, to have people who care about you AND understand all the crazy shit you tend to do.

The person we had for a resident quizmaster was a creepy, mentally deranged, sadististic pervert. He made a hobby of targeting me and making our lives a collective hell. Blackmail and mental torture, were his two favourite techniques to mold us into what he wanted us to be. Only a very small group of us knew the truth about him, and nobody believed us even when we swore upon our lives; we were just a bunch of school kids with hyperactive imaginations, and he was the smart and charming QM, well of course.
My fantasies involved, and involve, getting back to him somehow, sometime. And talking about him not being the topic of this post, I shall refrain from details. The point I wanted to make here is, most decisions of his, designed to make my life miserable, backfired horribly at the end. Unpredictable happiness.

So then, traipsing back to the present. Opportunities tend to dry up once you’re out of high school. Many professional quizzers would disagree with this, but I’m talking purely from my current PoV, which is FirstYearMedicalStudent in a SmalltownPrestigiousCollegeThatHasThreeQuizzesPerYear. I’m well past my prime (if there ever was one) in quizzing. I’ve tried to attend the Open quizzes that abound, (at least to cheer, ‘Go, QED!’, if not for anything else), but the schedules and logistics..simply do not work out. I still do try. What else have I left to do?

In many ways, I’m not very unlike that old thespian who dabs on make-up and goes to watch every show in town. Not because she thinks she has a chance, but simply because she loves to.

I miss quizzing more than I miss being good at it.

TBC. 

Stones, No Ripples.

she flings stones through an open window

and contemplates the terrible possibilities.

it could hit a passerby, she thinks.

death by sidewalk.

death by blood’s rhage.

death by StoneThrownWithoutMaliciousIntent.

a passerby who could be a

Martian on a moonlight stroll

or the night watchman fiddling with his whistle.

or both. why not?

or a thief, a dog,

or another one of those beings ambling with Purpose at night.

or a girl on a suicide mission.

who, when she dies,

will still owe her friend

a couple of lines.

The gutter of words slithers past without her body parts.

Almost disappointed.

பொருட்களுக்குள் சுமைகள் ஒளிந்திருக்கக்கூடும்

”ஒரு யூனிபால் பென்”, ரெகுலர் கஸ்டமர் பாணியில் அவசரமின்றி அறிவித்தான்.
சிப்பந்தி அதை எடுத்துவருவதற்குள், அவசரமாகப் பாக்கெட்டில் கை விட்டுத் துழாவி, எஞ்சியிருந்த ஒற்றை ரிசர்வ் பாங்க் வாசனை போகாத ஐம்பது ரூபாய்த்தாளை வெளிக்கொண்ர்ந்தான்.
குழம்பியவன் போல சில நொடிகள் அதனை வெறித்துப் பார்த்தான். மேலே எதனையும் யோசிப்பதற்குள் சிப்பந்தி வந்துவிட்டிருந்தான்.
அந்த ஐம்பது ரூபாய் குறித்த முடிவு எடுக்க வேண்டிய நிர்ப்பந்தத்தில் இருந்து விடுவிக்கப்பட்ட நிம்மதி. இன்னும் சில விநாடிகள் அந்த விலைமிகுந்த பேனாவை வாங்குவதுபற்றி அவன் சிந்தித்திருந்தால் அவன் மனசாட்சி உறுத்தியிருக்கக்கூடும்.அதற்கு மேல் அவனும்தான் என்ன செயவான்? கடைசி ஐம்பது ரூபாயாச்சே!“ஸார், லைட் ப்ளு மட்டும்தான் இருக்கு.அத பில் போட்ரட்டுமா?”

ஆஹா.இருக்கின்ற ஒரே பேனா இவனுக்கு பிடித்த நிறத்திலா இருக்க வேண்டும்? அவனுக்கென்னமோ எல்லா அமானுஷ்யங்களும் சேர்ந்து ‘இதை வாங்கு’ என்று உணர்த்துவதாய்த் தோன்றிற்று. நல்லது. பிறகு மனசு சங்கடப்படும்போது உதவும்.

“ஆங்..அதயே குடுப்பா”

கலந்த உணர்வுகளோடு பில்லிங் பகுதிக்கு நகர்ந்தான். இப்படி ஒரு ரோலர்கோஸ்டர் வாழ்வுக்கு அவன் என்றுமே ஆசைப்பட்டதில்லை. நித்தம் விரும்பியதெல்லாம் உறுதியான நிலையானதொரு வாழ்க்கை, அப்பாவைப் போல. ஆனால், இந்த ஞானமெல்லாம் காலம் கடந்தது.அவன் தன் வாழ்க்கைப்பாதையை  முடிவுசெய்யும்போது இல்லாதிருந்த ஞானம்.வாழ்க்கையிடமிருந்து என்ன எதிர்ப்பார்க்கிறோம் என்று தெளிவில்லாமலே இருந்தபோது, ஸயின்ஸ், ரிசர்ச், டெவலப்மெண்ட்-என யார்யாரோ சொன்ன மயக்கும் வார்த்தைகளைக் கேட்டுச் சேர்ந்த வேலை. சனியன்.
தனக்குப் புரிபடாத, பிடிபடாத இந்த ஆராய்ச்சி விஷயங்களையெல்லாம் ஓரளவுக்கு சுமாராகவே செய்தான். பிரச்சினை என்னவென்றால், இந்த சனியன்பிடிச்சதுகளுக்கு அது போதவில்லை.
போனவாரம் கூட,அவன் க்ராண்ட்டை ரத்து செய்யச்சொல்லிப் பரிந்துரைத்து கடிதம் எழுதுகையில் அழகேசன் சொனனார், “ஸயின்சில் எலைடிசம் தவிர்க்கமுடியாததுப்பா..பணவரத்து கம்மி,ஆட்களோ ஜாஸ்தி. இருக்கிறவங்கள்லையே ஆகச் சிறந்தவங்களுக்கு மட்டும்தான் இங்கே எடமிருக்கு. உன்னை மாதிரி மீடியாக்கர்களுக்கு நாங்களே நெனச்சாகூட பாவம் பார்த்தெல்லாம் க்ராண்ட்ஸ் சஸ்டெய்ன் பண்ண முடியாதுப்பா..ஸாரி”

இவ்வளவு பேசும் அழகேசனே அப்படிப்பட்டதொரு ரெண்டுங்கெட்டான்தான்.அவரது மேலதிகாரியின் நல்ல மனசால் தப்பித்து அட்மின் செக்‌ஷனுக்கு வந்துவிட்டவர்.
இப்பொழுது இருக்கும் பதவியில் நன்றாகப் பெவிகால் போட்டு உட்கார்ந்துகொண்டு அவன் கழுத்தை மெல்ல அறுத்துக்கொண்டிருக்கிறார்.

அவரைப் பற்றி இப்பென்ன பேச்சு? கையிலிருக்கும் ஐம்பது சிப்பந்தியிடம் போகப்போகிறது. பதிலுக்கு அவன் கைக்குக் கிடைக்கப்போகும் யூனிபால் பேனா இன்னும் பசி தீர்க்கும் வல்லமையைப் பெற்றுவிடவில்லை.

யூனிபால் பழக்கம் ஏன் அவனை போதையைப் போல் துரத்துகிறது? சிலருக்கு பணம். சிலருக்கு வைய்ன். சிலருக்கு பெண்கள். சிலருக்கு புத்தகம், சினிமா. சிலருக்கு இணையம். அவனுக்கு யூனிபால்.வெட்டியாக ஆய்வுக்கூடத்தில் கழித்த பல பகல்களில் அது தயாரிக்கப்படும் நாட்டுக்கே செல்லும் கனவெல்லாம் கண்டிருக்கிறான். பழைய கதை.
சாப்பாட்டுக்கு வக்கில்லாத ஆனால் சொரணைமட்டுமுள்ள மனிதர்களுக்கு யூனிபாலும் ஜப்பானும் ஒரு கேடா?

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ரிசர்ச் அசோசியேட் என்று துள்ளலாகப் பெயர் சூட்டிக்கொண்ட புதுசு.
உசுப்பேற்றுவதற்கென்றே திரியும் நண்பர்களுள் ஒருவன், ‘இன்னுமாடா அஞ்சு ரூபா பேனால எழுதுவ?’ என்று சொல்லி, காண்பித்துவிட்ட பழக்கம். அவனைச் சொல்லிக் குற்றமில்லை. யாரையும் சொல்லிக் குற்றமில்லை; தன் சொரணையைத் தவிர.
நொந்துகொண்டான்.
பதவி இறங்கும்போது வசதிகளையும் குறைத்துக்கொள்வதுதானே நியாயம். ‘ம்ஹூம், நியாயமில்லை’ என்றது தன்மானம். ஆடைகளைத் தவிர உடம்பில் இன்னும் ஒட்டிக்கொண்டிருக்கும் ஒரேயொரு வஸ்து. எல்லாம் அதனால் வந்த வினை.

ஊருக்குப் போயி அப்பா காசில் கொஞ்ச நாள் வாழ்ந்தால்தான் என்ன? திட்டமாட்டார். ‘இத்தினி நாளு நான் இருந்ததையே மறந்துட்டு இப்பொ எங்க வந்திருக்க?’ என்று மூக்கால் முனகமாட்டார்.  கடைசியாக எப்பொழுது  ஃபோன் பண்ணினோம் எனக் கணக்கிடமுயன்றான். பேசுவதற்கு எதுவும் இல்லை என்பதாலேயே பேசிக்கொள்ளவில்லை. அப்படியே தொடர்பு விட்டுப்போயிற்று அப்பாவுக்கும் மகனுக்கும் ‘தொடர்பு விட்டுப்போக’ முடியுமா? என்று ஆச்சரியப்பட்டு கேட்பவர்களுக்கு விரக்தி கலந்த ஒற்றைச் சிரிப்பொலியைப் பதிலாகத் தருவான்.
வீட்டோடு அருமையாக ஒரு பிள்ளை இருக்கையில், இளையவனை அதிகம் கண்டுகொள்ளாமல் இருப்பது அவனுக்கொன்றும் ஆச்சர்யமாகப் படவில்லை. ஒருவேளை அம்மாக்காரி என்றொருத்தி இருந்திருந்தால் அப்பாவை நச்சரித்து அவரிடத்தில் பிள்ளையைப் பற்றின கவலையை உண்டு பண்ணியிருக்கக்கூடும். அது இல்லாத காரணத்தால் அப்பா ஊரைப் பார்த்துக்கொண்டு நிம்மதியாயிருக்கிறார் என்று அவனாகவே அவதானித்துக்கொண்டுவிட்டான்.
’அப்பாவா? ஊர்ல இருக்காரு’ என்று அவனும்,
‘பையனா? ஊர்ல இருக்கான்’ என்று அவரும் தத்தமது வட்டங்களுக்குள் எளிதாகச் சமாளித்துப் பழகிவிட்டிருந்தனர்.

இப்படியிருக்கையில், பல வருஷமாகத் தொடர்பில்லாத ஒரு மனிதரின் வாசலில், அது அப்பாவாகவே இருந்தாலும், எப்படி வெறுங்கையோடு போய் நின்று சோறு கேட்க முடியும்? அந்த அவமானத்திற்குப் பரலோகமே போய் சேர்ந்துவிடலாம். அங்காவது இலவசமாக நல்ல சாப்பாடு கிடைப்பதாகக் கேள்வி.

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ரெண்டு மாசத்துக்கு முன்புவரை, கிட்டத்தட்ட ஒரு சய்ண்டிஸ்ட் – இன்று, அடுத்த வேளை சோத்துக்கலையும் சாதாரணன். துளி அழுகைகூட வரவில்லை.
க்ராண்ட் நிறுத்தியதும் இன்ஸ்ட்யூட்டில் அவனுக்கென்ன வேலை? பேங்க் பேலன்சைக் குடைந்து சில வாரங்கள் நகர்த்தினான் .மறந்தும்கூட எவனிடமும் கைநீட்டவில்லை. அது அசிங்கம்.
வேறு வேலை கிடைக்குமென்ற நம்பிக்கைகளில் அவன் நேரத்தை வீணடிக்கவில்லை. அப்படியே கிடைத்தாலும், எவர்க்கும் பயனில்லாத வெட்டி ஆராய்ச்சிகளுக்காக க்ராண்ட் கேட்டுஅலையும் இந்த கேடுகெட்ட பொழப்பில் அவன் இனிமேலும் ஈடுபடுவதாயில்லை.கூத்து போதும்.
இலக்கின்றி அலைவது பிடித்திருந்தது. அலைந்தான்.

இது பேங்க பேலன்சின் இறுதி ஐம்பது ரூபாய். சரியாகச் சொல்லுவதென்றால்..பர்சைக் குடைந்தான். ஐம்பத்தி ஏழு ரூபாய்.
தலையைக் குனிந்துகொண்டே, சிப்பந்தியிடம் ஐம்பது ரூபாய் நோட்டை நீட்டினான்.
‘சார்?’
‘என்னப்பா?’
‘இல்ல, பென் அறுவத்தஞ்சு ரூபா…நீங்க..’

ஓ.

கையை மெல்லப் பின்வாங்கிக்கொண்டு கடையை விட்டு வெளியேறி நடந்தான். இது எதிர்பாராத திருப்பம்தான். தூக்குத் தண்டனைக் கைதியின் கடைசி விருப்பத்தைக்கூட நிறைவேற்றி வைக்கிறார்கள்..தனக்கு மட்டும் ஏன்?
ஏமாற்றம் இயலாமையாகி, இயலாமை ஆத்திரமாக உருவெடுத்தது. எல்லாம் இந்த பாழாய்ப்போன ஐம்பது ரூபாயால் தானே.ச்சைக்.

பக்கத்தில் ஓடிக்கொண்டிருந்த சாக்கடையின் விளிம்புச்சுவர்களில் நண்டு ஒன்று ஏறுவதும் இறங்குவதுமாயிருந்தது. வந்த ஆத்திரத்தில் ரூபாய் நோட்டை நான்காகக் கிழித்து சாக்கடைக்குள் எறிந்தான். அது சத்தமின்றி விழுந்து, சாக்கடையின் ஓட்டத்தில் எவ்விதச் சலனமும் இன்றி கலந்து மறையத் தொடங்கியது. அது சாக்கடைக்குள் போனதும் கொஞ்சம் ஆத்திரம் தணிந்து, தான் செய்ததின் முட்டாள்தனம் மெல்ல உறைக்கத்தொடங்கியது. ப்ச்சு. ஒரு பிச்சைக்காரனுக்காவது அந்தக் காசைப் போட்டிருக்கலாம். அவன் வயிராவது நிறைந்திருக்கும்…

‘சார், சார்!’ பின்னால் சிப்பந்தி மூச்சிரைக்க நின்றுகொண்டிருந்தான்.
‘என்னப்பா?’
‘இல்ல சார், பழைய ஸ்டாக் ஒரு மூணு யூனிபால் அம்பது ரூவா ரேஞ்சிலே இருக்குன்னு ஓனர் சொன்னாரு.அதான்,.நீங்க வாங்கிக்கிறீங்களான்னு..?’

ஆண்டவனே!

இதுவரை உடையாத ஏதோ ஒன்று இப்போது அவனுள் உடைந்தது. அனிச்சையாக சாக்கடையின் பக்கம் நோக்கினான். கிழித்துப்போட்ட ரூபாய் நோட்டின் மிச்சங்கள் எப்பொழுதோ காணாமல் போய்விட்டிருந்தன. துக்கம் அவனை பயங்கரமாகப் பிடித்து அழுத்தியது.மனசுக்கு எட்டியது கைக்கு எட்டாமல் போகிற ஏமாற்றத்தின் வலி. வேலை தொலைத்ததிலிருந்து முதன்முறையாக அவன் சுக்கலாக நொறுங்கிப்போனான்.
மனத்தளர்ச்சியினால் அவனை அறியாமலே கண்களில் நீர் நிரம்பியிருந்திருக்க வேண்டும். சிப்பந்தி ஒரு மாதிரியாக விழித்தான்.

‘இல்லப்பா’. தவளையைப் போல அடித்தொண்டையில் இருந்து கத்தினான்.

அந்த வார்த்தைகளால் விவரிக்க முடியாத சோகத்தினூடே இனம்புரியாதவொரு நிம்மதியும் மெல்ல உருவெடுத்தது. சிலுவை போல் சுமந்துகொண்டுத் திரிந்த தன்மானச் சொரணை மண்ணாங்கட்டியெல்லாம் ரூபாய் நோட்டோடு சாக்கடையில் போனமாதிரி உணர்வு. மனசு லேசாக இருந்தது.
யூனிபாலுக்கு அலைந்த முகரையைப் பாரு என்று தனக்குத்தானே சொல்லிச் சிரித்துக்கொண்டான்.

ரோட்டோரமாகச் சம்மணமிட்டு உட்கார்ந்துகொண்டான்.  ஊருக்குப்போக பஸ் டிக்கெட் காசுக்கு எந்தெந்த நண்பர்களிடம் கடன் வாங்கலாம் என்று நிதானமாகத் திட்டமிடத்தொடங்கினான்.